UNC Student Organization for Undergraduate Literature

Another play next weekend:

Synopsis

Arcadia is set in Sidley Park, an English country house in the years 1809 and 1989 alternately, juxtaposing the activities of two modern scholars and the house's current residents with the lives of those who lived there 180 years earlier.

In 1809, Thomasina Coverly, the daughter of the house, is a precocious teenager with ideas about mathematics well ahead of her time. She studies with her tutor, Septimus Hodge, a friend of Lord Byron, who is an unseen guest in the house. In 1989, a writer and an academic converge on the house: Hannah Jarvis, the writer, is investigating a hermit who once lived on the grounds; Bernard Nightingale, a professor of literature, is investigating a mysterious chapter in the life of Byron. As their investigations unfold, helped by Valentine Coverly, a post-graduate student in mathematical biology, the truth about what happened in 1809 is gradually revealed.

The play's set features a large table, which is used by the characters in both 1809 and 1989. Props are not removed when the play switches time period, so that the books, coffee mugs, quill pens, portfolios, and laptop computers of 1809 and 1989 appear alongside each other in a blurring of past and present.

Themes

Arcadia explores the nature of evidence and truth in the context of modern ideas about history, mathematics and physics. It shows how the clues left by the past are interpreted by scholars. The play refers to a wide array of subjects, including mathematics, physics, thermodynamics, computer algorithms, fractals, population dynamics, chaos theory vs. determinism (especially in the context of love and death), classics, landscape design, romanticism vs. classicism, English literature (particularly poetry), Byron, 18th century periodicals, modern academia, and even South Pacific botany. These are the concrete topics of conversation; the more abstract philosophical resonances veer off into epistemology, nihilism, the origins of lust, and madness.

The title refers to the pastoral ideal of Arcadia and to the memento mori spoken by Death: "Et in Arcadia ego", roughly translatable as "I too am in Arcadia", but the true meaning is enigmatic and the subject of much academic discourse.[1][2] The character of Septimus offers the translation "Even in Arcadia, there am I".

Some ideas in the play recall Goethe's 1809 novella Elective Affinities.

Times of showing are:

Friday, October 26 @ 8:15 pm
Saturday, October 27 @ 2:00 pm
Sunday, October 28 @ 8:15 pm
Monday, October 29 @ 4:00 pm and 8:15 pm
Tuesday, October 30 @ 5:00 pm

Maybe this time some more people will join me (one can always hope, right?)

-Joel